can be defined as the Metatheatre of late modern and postmodern capitalisms where concentrated and diffuse corporate spectacles integrate on the global stage, but can veer into megaspectacle scandals, becoming the stuff of popular culture (e.g. all those new E-words and E-jokes after the Enron collapse turn into megascandals). TAMARA, Los Angeles' longest-running play, a dozen characters unfold their stories before a walking, sometimes running, audience. The organization is metatheatric; there are multiple theatres in any organizations; some are front stages, others backstage; some play in one office, while others happen at the same time in other offices, other factories, and other countries. The Metatheatre is a network of theatres, a TAMARA.