A delay effect, where the original signal is mixed with a short (0 to 10 msec) delay. The time of the delay is slowly varied, and the combination of the two signals results in a dramatic moving comb-filter effect. Phasing is sometimes imitated by sweeping a comb-filter EQ across a signal. A comb filter can be found in your back pocket.
A delay effect where the original signal is mixed with a copy of the original signal which has been delayed 0 to 10 milliseconds. The length of the delay is slowly varied and the combination of the two signals results in a dramatic moving comb filter effect.
The synchronization or lack synchronization between the sound waves in two similar signals. An effect in which a swirling sound is added to a signal similar to flanging.
if two identical versions of a signal are “out-of-phase”, so that the peaks in one coincide with the troughs in the other, the two signals will cancel each other out, leading - in theory - to silence. If the signals are partially out-of-phase a characteristic colouration to the sound will result. Phasing can be achieved electronically, the results varying from a mild “whooshing” to sounds reminiscent of a jet plane.
Occurs when identical sound waves from two speakers meet in the area between the two speakers. Constructive or destructive interference occurs, causing uncontrollable variations in the sound volume and frequencies.
Phasing is a type of "comb-filtering", so-called because of the hair-raising excitment of the listening experience, which often results in a need to "comb" one's hair afterwards. (Although, of course, in reality, a brush or one's hands may be used in place of a real comb)
An effect produced by feeding a signal into two tape recorders and recording the combined outputs on to another machine. The effect produced is a swishy tonal sweep achieved by varying the speed of one of the input tape recorders.
The hollow sound that occurs when two identical tracks are run in near-perfect sync.