Belonging to, or designating, the modern revival or adaptation of classical, esp. Greco-Roman, style, taste and manner of work in architecture, arts, literature, etc.
A collection of assumptions customarily made by mainstream economists starting in the late 19th century, including profit maximization by firms, utility maximizaiton by consumers, and market equilibrium, with corresponding implications for determination of factor prices and the distribution of income. Contrasts with classical, Keynesian, and Marxist.
A design style that employs motifs inspired by classical antiquity, e.g. urns, garlands, greek key, palmette.
Tapering lines and classical motifs. Straightness as reaction to excesses of Rococo. Torch & quiver, ribbons are indicative
A 20th century style of composition exhibiting a return to the use of structural forms and stylistic features employed in earlier times.
An elegant and simple design style, with motifs borrowed from ancient Roman, Greek and Egyptian themes. Popular during the late 1700s.
characteristic of a revival of an earlier classical style
20th century compositions which use the musical structures of earlier eras
Also frequently referred to as Classical Revival. Ancient Roman and Greek architecture inspired Neoclassical style architecture. The style can be described as monumental, utilizing columns, pediments and sparing ornamentation. The style is most frequently found in public buildings and mansions.
(English) An artistic style that sought to capture the restraint and geometry of the art of ancient Greek and Rome. Neoclassicism dominated the visual high arts from the late 18th century into the 19th in Spanish America.
A style of art, architecture, literature, music, etc., that is based on, or influenced by, classical styles, especially the styles of ancient Greece and Rome.
A revival of ancient Greek and Roman styles in art and architecture in the 18th and 19th centuries, which was characterized by order, symmetry and simplicity.
adj. Refers to revivals of Classical (ancient Greek and Roman) styles in art or architecture.
the revival of ancient Greek and Roman aesthetics in the art and architecture. During the late eighteenth and early nineteenth centuries, Americans and Europeans emphasized classical themes and forms in their material culture and political discourses. Neoclassical influences can be found in many American artifacts, particularly houses, furniture, clothing, and ceramics.
A form of design that harks back to the elements of classical architecture such as Greek or Roman.
New designs inspired by artistic elements from classical antiquity, such as urns, garlands, greek key, palmette.
Pertaining to the revival of classical styles characterized by the introduction and widespread use of Greek orders and decorative motifs in the late 17th to the mid-19th centuries.
Neoclassical is a subgenre of darkwave music. Inspired by early music and modern classical, Neoclassical combines library sound samples (orchestra samples, pizzicato, flutes and bell ringing), synthesizers and acoustic instruments (e.g. military snare drums) with the use of opera- or madrigal-like vocals. In the middle of the 1980s, rock- and darkwave groups such as Dead Can Dance (Within The Realm Of A Dying Sun) and In The Nursery (Stormhorse), laid the foundations of this genre.
Among very broad movement of new age music, neo-classical disctintion strongly influenced and sometimes even based on the early, baroque or classical music especially in terms of melody and composition. In either case a performer can offer a modern arrangements of an established composer or combining elements from the classical styles with modern elements to produce original compositions. Many artists in this genre are classicaly trained musicians.