The second half of a song based on the higher notes of the scale
The second part of the main composition (asthayee), usually found in khayal and dhrupad compositions. There are several antaras or stanzas in ghazals and geet.
The second section of a composition following immediately after the first and generally highlighting the upper half of the octave-range.
The second section of a composition usually containing notes from the upper tetrachord and higher register.
It is the second part of a composition or bandish normally consisting of notes in the tar saptak (high scale).
the second part of a composition of which the first part is the asthayi. The swars remain mostly in the upper tetrachord and higher register